This article presents a geocritical interpretation (based on the methodological approach developed by Robert Tally) of two of Judith Hermann’s short stories – ‘Diesseits der Oder’ and ‘Osten’. Written almost twenty years apart, the first of these takes place amidst the Oderbruch, whilst the second comprises Hermann’s only literary text about a journey to Ukraine. Drawing on interdisciplinary spatial research, I offer a close reading of both stories as they stage, in different ways, an affective experience of East European space. Moreover, I argue that through her critical investigation of the ‘East’ as an imagined and real space, Hermann emerges as a geocritic herself. Drawing on Sara Ahmed’s queer phenomenology and Hans Ulrich Gumbrecht’s notion of latency in post-war culture, I contend that ‘Diesseits der Oder’ and ‘Osten’ are constituted as poetic texts that foreground disorientation through the mode of latency as a crucial phenomenological device. Once brought together into their historical and geopolitical contexts and explored through the aesthetic prism of representation of the ‘East’, Hermann’s short stories are seen to advance a radical critique of perceptions of Eastern Europe in the German post-war literary and geographic imagination.